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Stephan Audran, left, in one of Karl’s ravishing two-piece crepe de chines – the palest boise de rose blouse, two-tone sash, pleated skirt.

These trips don’t occur often as I live about four hours drive away from Sydney, but I have to travel that far as it is near impossible to find good fashion and art books good fabric in rural Australia.

Karl Lagerfeld’s 200 trendsetting models do for unconstructed shapes what Balenciaga once did for constructed clothes….

he ties his delicate crepe blouses and shirts together with a soft scarf belt.

With a minimum of seams, it looks as if his clothes have been put together by sheer magic.

As of last season, he developed a new way of finishing his hems, which are cut clean instead of doubled over. Some dresses are nothing but a couple of rectangles, the front one folded over the back one…. Below is the two-page spread introducing ‘Karl Lagerfeld for Chloé’ from the July/August (or Early Autumn) 1975 issue of magazine with designs taken from Chloé’s Spring/Summer 1975 collection and, further down, views of the front and back envelope for Vogue pattern 1263.

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