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Ian had to use a Dremel tool to route out the back cavity for more room for the trem block.

(They removed the finicky Silvertone head from the equation.) Here sits his main Marshall—a ’70s Major that provides the basis for his tone with an emphasis on low end. (The heads sitting on top are fully-stocked and serviceable backups.) The Marshall is loaded with Celestion 75-watt Creambacks and the Fender has Celestion Vintage 30s. 1 is this Fender Custom Shop Jazz bass built by Jason Smith.

The next drawer is home to a Boss CE-2 Chorus, an Electro-Harmonix Memory Boy, an Earth Quaker Devices Dispatch Master, a Boss PS-3 Pitch Shifter/Delay, an Electro-Harmonix Deluxe Memory Man, an Electro-Harmonix Holy Grail Reverb, and a Misty Cave Echo.

And all these stomps are powered by Voodoo Lab power supplies.

While touring the Fender Custom Shop, Josh noticed a this completely hollow T-style hanging up in the hallways and he inquired about it and was told it was a one-off known as the “White Chicken.” If you remember in the 2012 Rig Rundown, Josh had a White Penguin used on “Californication” and “Other Side,” but this oddball has taken its place.

Interestingly enough, the headstock says Fender, but inside the upper f-hole their rests a Gretsch label.

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